Having previously worked at Maison Martin Margiela, Céline and The Row, artistic director Nadège Vanhee-Cybulski must have the teachings of minimalism ingrained in her. Similar to her predecessors, she looked to the house’s deep- rooted heritage in the world of horse riding to create her debut. There was no shortage of leather pieces, from quilted equestrian coats with saddle-shaped pockets to knee-high riding boots. Vanhee-Cybulski also used the house’s expertly crafted silks for easy-to-wear printed blouses and wrap skirts.